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Darkness, as a place, conceals and facilitates Yaz Taşçı's figures to be heard, felt, and consequently known to one another in manners that daylight may restrict.

Catherine Camargo is taking part to shape the kind of revitalization in the art scene many of us long for. While most creatives are itching to move out of their city and seek abroad opportunities, she does the opposite by challenging and setting roots in her own city through Queue Gallery and her sister project Q Magazine. Against the profitable backdrop of the Miami art market, or what’s mainstream, Camargo chooses to back artists who take risks in their communities. Breakin

Last month, we had the absolute pleasure of sitting down with the founders of Alo Galerie for a conversation in Paris– marking Plasma's first in-person, on-the-ground interview.

Posthumanism is a philosophy that challenges our notion of what it means to be human, in relation to animals, technology and the world. For Rosi Braidotti, in order to move away from hierarchical relations, a form of ‘estrangement and radical repositioning on the part of the subject’ is needed. In Yihao Zhang’s work, it can be seen that an estrangement and reposition of the subject is seen through a mechanical lens.

Irmak Dönmez is a Turkish artist whose sculptural and ceramic pieces engage with corporeal politics. Dönmez’s works operate with acute attention to anatomical, psychological, and epistemological structures.

This November at Art Mumbai 2025, artist Poojan Gupta presented a materially driven series of works, solidifying the direction of her practice.

Through performance, video, and archival installation, Gvardeitseva rewrites personal and cultural autonomy in the wake of exile and transformative change.

Jessica Vollrath opens up an intimate conversation around self-discovery, motherhood, and how the desire to truly know oneself is an evolving process.

Of Nigerian, German, and Spanish heritage, Elena Njoabuzia Onwochei-Garcia’s large-scale installations interlink the past and contemporary histories.

For our first piece, we talked with Ángela Jiménez Durán on her practice.

Read about Chloë Sevigny’s collaboration with Doug Aitken.

What does it mean to bear witness to the product of violence?